Li Shun’s “Internet Sketch” series began with his thoughts and obsessions of Woyou (Imaginary Tour). Woyou originated in the Wei-Jin period in China. Confined by the conditions of transportation, ancient people did not have the freedom to travel around the world, so they turned to Shanshui Hua (Landscape paintings) as an alternative. Paintings became the window for ancient people to see the world at home. Li utilizes Google Maps as an index for him to experience the world without taking a step out.

Through Google Maps, Li closely observes and carefully chooses the landscapes that he wants to depict and takes screen shots on the computer. He then photographs the screen shots with a Polaroid and creates painterly sketches based on the screen shots. This mode of Internet Sketch incorporates the obscurity of blurred vision, the novelty of being irrelevant, and the spirit of an imaginary tour. The artist will present the printed screen shots, Polaroid photographs, and sketches altogether in the exhibition.

A virtual pivate net work is required to access Google in China and unexpected glitches might occur when making screen shots due to issues like network speed, etc. These realistic reasons and surreal illusions indicate an English word with both strong directivity and ambivalence, “Chinglish.” The word ’s contradictory senses, derogatory remarks, and especially, extraordinary effects make it a poignant word to interpret Li Shun’s work. The transliteration of “Chinglish,” Chigelishi (Eat History) also provides vivid and comical explanation. Li’s latest series of work presents a proper fusion of the solemnity of classic paintings, the form of modernism, and the appropriation of postmodernism.