The works takes on three distinct forms in the exhibition hall: like paintings, like calligraphy, and like images, but the essence and logic behind these works ultimately point to photography. The artist continuously captures and arranges the light and shadow of the city at night, and gives the lyrical visual presentation of the traditional Chinese Literati landscape painting in a contemporary way. Or to capture all the realistic scenery of Hangzhou by the way of long exposure, and to process them into minimalist abstract lines by means of post-processing and technology, then combining calligraphy dictionaries with collages in the next step, finally, the combination transformed into a form of expression that similar to calligraphy It was a painstaking process, but also an interesting one, the result presents “a collection of light and shadow calligraphy with natural writing”. How to create a new system in a vacuum, and show it in a way that can be felt and appreciated, which has always been the ultimate goal of contemporary artists, the artist Li Shun, even easily achieved it at such a young age.  

By Yu Haining

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